FABOR

FABOR reimagines the 3D printer
as a precision loom.

Thin printed patterns are joined like jogakbo, Korean patchwork, to create flexible, translucent fabric. FABOR extends this surface into lighting, objects and spaces.

@fabor.objet ↗
Thin 3D-printed fabric curves and filters the light

A language of engineered craft
Pattern, structure and perception

Light and shadow between thin layers.

Photo: Lee Wookyung. Courtesy of the editorial team of Craft Culture, Korea Craft & Design Foundation.

01 Lighting

Light passing through,
revealing the texture.

As thin surfaces embrace light, patterns become shadows.
Layers create depth in the spaces between them.

The Cantilever lamp balances a slender frame with a long fabric panel
Moiré Lamp : Cantilever2026
Full view of the Gadak lamp, with thin fabric curving above a natural stone base
Moiré Lamp : Gadak2026

Where the frame’s elasticity
meets the flexibility of fabric.

The light source sits beside the curving fabric of the Gadak lamp
Moiré Lamp : Gadak2026

A single stroke
across the space.

Along a tensioned frame,
thin fabric draws a curve.
Between a taut line and a yielding surface.

The cylindrical Jogakbo Lamp : Gat casts warm light and shadows
Jogakbo Lamp : Gat2025

Structure by day,
light by night.

A precise lattice in daylight,
a soft, ramie-like texture at night.
One surface, a different sensation.

02 Hanging objects & screens

Beyond the surface,
into the feeling of a space.

Joining small pieces becomes a way of shaping space. Screens that let light and sight pass through, and objects suspended in air, create new boundaries.

A long ribbon and a circular surface hang in the Moiré Mobile : Dal
Moiré Mobile : Dal2026
A translucent jogakbo screen joins pieces of different sizes and patterns
3D-printed jogakbo screenBreathRoom · 2025

Photo: Lee Wookyung. Courtesy of the editorial team of Craft Culture, Korea Craft & Design Foundation.

Light surfaces, open boundaries.

Patterned pieces join into larger surfaces, dividing space without closing off light or sight. The patterns shift with air currents and the viewer’s position.

Speaker objects are suspended beside a jogakbo screen in the darkened BreathRoom installation
BreathRoom2025 · In collaboration with WONWOORI

03 Kinetic wall art

The same surface,
a changing pattern.

Moiré emerges as patterns shift slightly out of alignment. A moving viewpoint or a physical oscillation turns a static surface into one that changes with time.

A repeating motion, a changing pattern.

Kinetic wall art

Individual works by Seungki Kim, 2026.
Exhibition: Between 0 and 1 ↗
About the work ↗

Material and process

Weaving patterns,
finding new material qualities.

FABOR uses the 3D printer like a precision loom to print PLA plastic as thin lattice structures. These 3D-printed fabric panels are joined like jogakbo, Korean patchwork, revealing fabric-like flexibility and translucency in a rigid material.

Algorithmic precision meets the sensibility of joining pieces by hand. The resulting surfaces filter light and respond to movement, giving objects and spaces a different expression.

The lattice structure of thin 3D-printed fabric fanning out across a surface
3D-printed fabricPattern and lattice structure

An ongoing exploration

From the surface of an object,
to the spaces we inhabit.

FABOR extends its exploration of patterns and light into mobiles, partitions and kinetic wall art. The lightness of the material and the way pieces are joined offer a starting point for exploring a larger scale.

Finding the beauty that contemporary technology can create, within everyday life and space. This is the direction FABOR continues to explore.

Profile

Seungki Kim

Designer · FABOR

Seungki Kim examining 3D-printed fabric in his studio

Today’s technology,
at its most beautiful.

Seungki Kim is a designer connecting engineering precision with the aesthetics of handcraft. After earning a PhD in Industrial Design from KAIST, he worked as a senior designer at Samsung Electronics. His practice has since spanned a media-art duo, Hyundai Motor’s ZER01NE creator program and creative direction at an AI startup, leading to the founding of FABOR.

As an artist in residence at Sindang Creative Arcade, Seoul Foundation for Arts and Culture, he continues to explore form through 3D printing. Through precisely designed patterns and thin, flexible surfaces, he brings the beauty of contemporary technology into lighting, objects and spaces.

Education

BSc, MSc and PhD in Industrial Design, KAIST

Experience

2026.03 — present
Adjunct Professor, Graduate School of Technology & Innovation Management, Hanyang University
2026.01 — present
17th cohort artist in residence, Sindang Creative Arcade, Seoul Foundation for Arts and Culture
2025.09 — present
Founder, FABOR 3D-printed art brand
2022 — 2025
Creative Director, RECON Labs
2022
Lecturer, Korea University and Sungshin Women’s University
2021
Creator, Hyundai Motor ZER01NE
2020 — 2021
Co-director, media-art group studio atom&bits
2019 — 2020
Senior Designer, Corporate Design Center, Samsung Electronics

Selected exhibitions

2026
Gakgagui GakSeoul Museum of Craft Art
2026
Between 0 and 1Sindang Creative Arcade special exhibition · SASS Gallery
2025
〈BreathRoom〉PRPT : Vault Service II · Seongsu, Seoul · With WONWOORI
2021
〈Second Garden〉Art of Tomorrow · Hangaram Art Museum, Seoul Arts Center · Work by atom&bits
2021
〈Second Garden〉Open Media Art Festival · Oil Tank Culture Park · Work by atom&bits
2021
ViRsonaZER01NE Playground · Wonhyo-ro, Seoul · Joint work by atom&bits and WONWOORI
2021
Relaxation Clinic: Prescribing NatureZER01NE Playground · Wonhyo-ro, Seoul · Work by atom&bits
@fabor.objet ↗